What is it that is performed, reflected upon and developed over the course of repeated orbits in a space ? Five classical dancers give physical expression to this journey, with rigorous technique their starting point. From the pointe work comes a series of turns carried out on an unadorned stage. With a musical score that mixes electronic sound and traditional refrains, the space is left open for experimentation, so that each performer can go through the transformations taking place in the course of a single repeated movement, progressively moving towards areas of free interpretation. While the word turn refers to a dance rotation, it also contains the meaning of development, and of change that is underway. This dance works on the emotional as well as physical condition, moving forward through an infinite vortex to deploy capacities of imagination, as in the case of Orlando written by Virginia Woolf, which slips from one era and genre to another, in the course of successive metamorphoses.
Création 2019 / Conception : Alessandro Sciarroni avec les interprètes / Danseur·euse·s (en alternance) : Maria Cargnelli, Francesco Saverio Cavaliere, Lucrezia Gabrieli, Sofia Magnani, Marissa Parzei, Roberta Racis / Musique : Aurora Bauzà, Pere Jou (Telemann Rec.) / Assistante, formation, conseil chorégraphique et dramaturgique : Elena Giannotti / Stylisme : Ettore Lombardi / Casting : Damien Modolo / Directrice technique : Valeria Foti / Technicien de tournée : Cosimo Maggini / Administration, production exécutive : Chiara Fava / Commissaire, promotion, conseil : Lisa Gilardino
Production MARCHE TEATRO, corpoceleste_C.C.00## / Coproduction : Fondazione Matera-Basilicata 2019 e Basilicate 1799, CENTQUATRE-Paris, Snaporazverein / Soutien : Dance Reflections by Van Cleef & Arpels, L’arboreto – Teatro Dimora, La Corte Ospitale – Centro di Residenza Emilia-Romagna
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